Appears to be in good condition. However, we do note that this appears to have been painted directly onto board and possibly not primed as there is evidence of the grain of the timber coming through (in particular to the left hand margin). Frame firm with some scuffs.

Painting in very good condition with no signs of defects or deterioration. The frame however, in poor condition with associated losses, particularly to the corners.

Several surface cracks (clearly visible from the photographs). Of note, the upper left hand corner has some associated areas of loss and more significant cracks. Painted surface somewhat subdued. Fair condition only.

This appears to have some possible water damage and associated cracking and staining to the right hand margin, near the snake's tail. Some other small shrinkage cracks throughout as is often the case. Fair to good condition only. 

Picture surface in good condition, colours clean and bright. We note that this appears to be painted on card which has slipped inside framing (which we note is poor quality).

Slightly faded throughout, otherwise, picture surface in good condition. We note that this appears to be painted on card which has slipped inside framing (which we note is poor quality).

Painting in very good condition with no signs of damage or degradation. Frame also in very good condition.

Appears to be in very good, original condition. We do note one tiny blemish on the left hand side being the only defect worth mentioning. Frame is attractive and slightly rubbed with age. Frame size 99 x 78cm overall.

Very good original condition with no damage or deterioration of note. Upper margin slightly rippling against the mount. Framed. Glazed with non-reflective museum glass. 56 x 37cm overall.

Appears to be in very good, original condition with no signs of damage or deterioration. Frame with several minor shrinkage cracks but appears to be complete and in good condition.

Painting appears to be in very good condition with no damage or defects of note. Frame also appears to be in overall good condition with a few minor scuffs.

Image appears to be very clean and in very good condition. Has been reframed in the recent past, also in good condition. Provenance: Private art collection, Melbourne.

In very good, original condition with no signs of damage or deterioration. Frame with numerous scuffs but still presents very attractively.

All images appear to be in very good, original condition with no damage or deterioration. Attractively framed and mounted to match, with minor scuffs and marks. We do note that the glass would benefit from a clean.

Slight creasing to the paper, some staining and foxing spots evident (in particular to the right-hand portion of the artwork), otherwise, in good condition. Still presents well. Frame in good order. Provenance: This work is directly from the artist's estate.

In very good condition, with no damage or deterioration of note. Frame also good. Provenance: This work is directly from the artist's estate.

Painting in very good condition. Frame scuffed and chipped in numerous places but overall, the work presents very attractively.

Image and paper appear to be in very good condition showing no signs of damage or deterioration. We do note that the card mount is in poor condition with staining/toning/foxing and deterioration throughout. Would benefit from re-framing in our opinion.

Some water damage to the bottom edge (as can be seen in the catalogue images), some minor scuffs to the surface (as to be expected with this medium), still presents attractively.